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"This is a
record of land...
of soil, rather than people
a story of the Great Plains:
the 400,000,000 acres of wind-swept grass lands that spread up
from the Texas Panhandle to Canada...
A high, treeless continent,
without rivers, without streams...
A country of high winds, and sun...
and of little rain...." Prologue |
This classic film about the Dust Bowl has been one of the most widely
praised and studied documentaries to be produced in America. Its
masterful use of music, repetitive blank verse, and edited images were
to influence a generation of nonfiction filmmakers.
Photographically, The Plow
that Broke the Plains ranks with the best work of Resettlement
administration still photographers Walker Evans and Dorthea Lange. Shots
of the sun-baked earth, deeply etched with the shadows of idle people
and farm machinery, are both beautiful and moving in their simplicity.
These images serve as a short-hand that expressed a massive social
problem on a more intimate and human scale.
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The Plow that Broke the Plains, directed and
written by Pare Lorentz, 29 minutes, B&W, 1936. Photography: Paul
Strand, Leo Hurwitz, Ralph Steiner, and Paul Ivano. Editing: Leo Zochling. Music: Virgil Thomson. Conductor:
Alexander Smaliens. Narrator: Thomas Chalmers. Produced by the
Resettlement Administration. |